From there came the idea that maybe one policewoman having this mixed kind of thoughts might come off as strange.”Soni was also one of the five films selected by Indias National Film Development Corporation (A Govt. But his affinity towards the capital city is particularly conspicuous as his debut feature Soni unfolds in the backdrop of a crime-ridden Delhi. Produced by Kimsi Singh and Kartikeya Narayan Singh, Soni will compete with 18 other films, including Tel Aviv on Fire by Sameh Zoabi, Sulla Mia Pelle by Allessio Cremonini, Manta Ray by Phuttiphong Aroonpheng and The Man Who Surprised Everyone by Natasha Merkulova and Aleksey Chupov. The film is also the only Indian feature to be officially selected at the festival this year.Ask him about his most important experiences that have impacted the film positively, he chuckles, “There are plenty of them, but I was mostly influenced by their day-to-day working.
The feature primarily revolves around a police officer Soni and her superintendent Kalpana, essayed by Geetika Vidya Ohlyan and Saloni Batra respectively, who are dealing with a growing crisis of violent crimes against women. So, those things became a treasure trove. It was at that point where French editor Jacques Comets and veteran festival director Marco Mueller mentored it, before it made it to the official selection of the 75th Venice Film Festival, 2018. I didnt want to make it a one-dimensional film. So I decided to introduce another policewoman and maybe show their different thoughts on the same issue,” he reveals. I really wanted to find out how the police women were reacting to or handling the rising crimes against women in the country.. The police are basically the first responders to any situation and their experiences are totally different.While initially the director wanted to explore the idea through a singular entity, he thought his story might become lopsided and decided to rope in his second character for the want of a more contrasting narrative, “
So I wanted to approach it in the way of how a policewoman can become conflicted in her own thoughts. First, they are humans and then their gender comes in the picture,” he asserts. Over the past few years, I would keep hearing about Delhi for all the wrong reasons. There was a difference between a male handling a situation and a woman handling the situation, the relationship dynamics among these policemen and women. So when the opportunity presented itself, Ivan decided to visit https://www.hncypacking.com/product/vmpet/ aluminized PET film manufacturers India to vicariously experience the daily lives of the women in question, “My second and third draft was borrowed extensively from that experience.”Soni will be showcased in the Orizzonti (Horizons) competition at the festival, a category specially dedicated to films that represent the latest aesthetic and expressive trends in international cinema.”But before he delved into the more complex issues of his script, Ivan simply wanted to remove the veneer of fierceness that society often projects police folk through, “I wanted to explore their humanness, the core of a human being rather than just commenting on the pitiful goings on.
The film that impales the pervasive patriarchy in India through the lives of two Delhi policewomen will make its World Premiere at the prestigious 75th Venice International Film Festival that will be held from 29 August to 8 September.The vantage point of the police became extremely crucial for the director, as he clarifies, “Because you know one often wonders if what you get to read in the news is just the tip of the iceberg or is it the whole picture. Just because of their gender, they are kind of susceptible to the same kind of the attack and they know that,” explains the director. body), to be part of the prestigious Work in Progress Lab at Film Bazaar in November 2017 for post-production support. I spent about a month at various police thanas across Delhi and got permission from senior officers to observe their teams like a fly on the wall,” recalls Ivan.Ivan Ayr grew up in multiple cities across northern India before he moved to the United States for his postgraduate studies.Given the relevant social theme it engages with, Soni also contributes to other movements such as #Me Too and #Times Up that have been making waves in the West, by highlighting the atrocities faced by women in different spheres, “
Even while a policewoman might be feared among the populace for the uniform she wears, her gender becomes a double-edged sword as it exposes her to the same threat any woman faces. But their mission and alliance are further strained by complications arising in Sonis personal and professional life. Ivan says, “Ive mostly grown up in Chandigarh but Ive spent my childhood in Delhi and have a special connection with the city. I had to make a character study of these individuals. The earlier Indian film to win in the Horizons category from India was Chaitanya Tamhanes Court, which also went on to win the Lion Of The Future award at the 71st Venice International Film Festival.While the idea of making the film initially sprung up in 2014, the first draft was written in the US itself, but that wouldnt be fair
The feature primarily revolves around a police officer Soni and her superintendent Kalpana, essayed by Geetika Vidya Ohlyan and Saloni Batra respectively, who are dealing with a growing crisis of violent crimes against women. So, those things became a treasure trove. It was at that point where French editor Jacques Comets and veteran festival director Marco Mueller mentored it, before it made it to the official selection of the 75th Venice Film Festival, 2018. I didnt want to make it a one-dimensional film. So I decided to introduce another policewoman and maybe show their different thoughts on the same issue,” he reveals. I really wanted to find out how the police women were reacting to or handling the rising crimes against women in the country.. The police are basically the first responders to any situation and their experiences are totally different.While initially the director wanted to explore the idea through a singular entity, he thought his story might become lopsided and decided to rope in his second character for the want of a more contrasting narrative, “
So I wanted to approach it in the way of how a policewoman can become conflicted in her own thoughts. First, they are humans and then their gender comes in the picture,” he asserts. Over the past few years, I would keep hearing about Delhi for all the wrong reasons. There was a difference between a male handling a situation and a woman handling the situation, the relationship dynamics among these policemen and women. So when the opportunity presented itself, Ivan decided to visit https://www.hncypacking.com/product/vmpet/ aluminized PET film manufacturers India to vicariously experience the daily lives of the women in question, “My second and third draft was borrowed extensively from that experience.”Soni will be showcased in the Orizzonti (Horizons) competition at the festival, a category specially dedicated to films that represent the latest aesthetic and expressive trends in international cinema.”But before he delved into the more complex issues of his script, Ivan simply wanted to remove the veneer of fierceness that society often projects police folk through, “I wanted to explore their humanness, the core of a human being rather than just commenting on the pitiful goings on.
The film that impales the pervasive patriarchy in India through the lives of two Delhi policewomen will make its World Premiere at the prestigious 75th Venice International Film Festival that will be held from 29 August to 8 September.The vantage point of the police became extremely crucial for the director, as he clarifies, “Because you know one often wonders if what you get to read in the news is just the tip of the iceberg or is it the whole picture. Just because of their gender, they are kind of susceptible to the same kind of the attack and they know that,” explains the director. body), to be part of the prestigious Work in Progress Lab at Film Bazaar in November 2017 for post-production support. I spent about a month at various police thanas across Delhi and got permission from senior officers to observe their teams like a fly on the wall,” recalls Ivan.Ivan Ayr grew up in multiple cities across northern India before he moved to the United States for his postgraduate studies.Given the relevant social theme it engages with, Soni also contributes to other movements such as #Me Too and #Times Up that have been making waves in the West, by highlighting the atrocities faced by women in different spheres, “
Even while a policewoman might be feared among the populace for the uniform she wears, her gender becomes a double-edged sword as it exposes her to the same threat any woman faces. But their mission and alliance are further strained by complications arising in Sonis personal and professional life. Ivan says, “Ive mostly grown up in Chandigarh but Ive spent my childhood in Delhi and have a special connection with the city. I had to make a character study of these individuals. The earlier Indian film to win in the Horizons category from India was Chaitanya Tamhanes Court, which also went on to win the Lion Of The Future award at the 71st Venice International Film Festival.While the idea of making the film initially sprung up in 2014, the first draft was written in the US itself, but that wouldnt be fair
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